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where he developed his distinctive style over a long artistic career
The contrast between the rigidity of the wooden architecture and the concentrated energy of human gestures enhances the perception of shared effort and the coordination necessary for the work
ascetic mountain monks
Perfect impression printed by the artist on washi paper (handmade mulberry paper) from three matrices of Japanese lime in a total of 50 copies
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 10, 1834 vasi where he developed his distinctiveBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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