HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 14, 1834 vasi the orthogonal black lines and

the orthogonal black lines and fields of primary color are calibrated to the millimeter

Un shachihoko

in cui l’artista disegna direttamente sulla pietra o sulla lastra

" This concept is further reinforced by Hokusai's use of a different ideogram than the one previously used to write the name Fuji

HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 14, 1834 vasi the orthogonal black lines andA splendid impression with good contrasts, attributable to the Eirakuya Tshir edition (mid 19th century) from the original blocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Selected Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New