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spraying ink onto the plate to create diffuse and vibrant color atmospheres
Table for Derrière le miroir
His compositions show a deep assimilation of the Japanese ukiyo-e prints that he collected and studied
HIROSHIGE UTAGAWA I, Vedute della Tōkaidō n. 26, 1851 sculture National Museum of Asian Art:Delicate proof in contemporary edition, printed on Japanese paper, in good condition, with a small margin all around. Volumes Zen Pen (Vol. I) and Go Hen (Vol. II), dating to the fourth year of the Kaei era (1851), with preface and texts by Rykatei Tanekazu. The series Tkaid fukei zue collects narrative and landscape illustrations that retrace the stations of the Tkaid, the ancient road that connected Kyoto with the capital Edo. Bibliography https:
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