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impresso su carta Hahnemühle in complessivi 100 esemplari
Perfect impression in the second edition printed in a total of 500 copies
His revolution occurred on the lithographic stone
It is simply a contemporary symbol that has lost its original function
FONTANA LUCIO, Teatrino bianco e nero, 1966 sculture impresso su carta Hahnemühle inPerfect impression taken from the artist's book published in 1966 for the Jolas Gallery, Paris, in the first and only edition, and printed by Sergio Tosi Milano. Texts by Gillo Dorfles and photographic portraits by Ugo Mulas. The small theater consists of two sheets, one of which, irregularly shaped, serves as a scenic backdrop and is overlaid on another die cut with small holes arranged in various ways on the page. Bibliography Lucio Fontana:
